If you are going to take original content from this site, please cite us as a source. I consider this blog an interactive resource of Marlene Dietrich-related information, and I hope all our readers realize that we do a lot of research. Anyone is free to question, criticize, or correct our findings because I stand firmly against censorship, which isn't the case at others blogs where comment moderation is the norm. If we call you out for taking our content without crediting us, don't suppress our comments on your blog and come here to tell us that you cite your sources when you don't cite us. I will call you out in a blog post, with screen captures and all!
The offending blogger, named Ada, published "Style: Marlene Dietrich in ‘Angel’" at Classiq on January 22, 2013, which directly quoted text from "A Million Grains of Golden Caviar," published here by missladiva almost two years before--on January 31, 2011. Let's review the facts.
Ada wrote (as you can see in the above screen capture that I present as evidence):
Do you know what else I found? There's text in her article that also appears on the Vogue Italy website. Take a look at the above screen capture and note this sentence: "She would only pose for photographer Rudolph Maté, who contributed to create her sharp yet full of refined sensuality look; every photograph had to be of immaculate taste." Compare it to page 2 of this Vogue Italy article: "The German diva started right away to act in films relized by her trustworthy director, von Sternberg, and would only pose for photographer Rudolph Maté, who contributed to create her sharp image yet full of refined sensuality." Unfortunately, the Vogue Italy article lacks a date, but it's clear that someone here was plagiarizing! Oh, and by the way, that Maté information is inaccurate.
The offending blogger, named Ada, published "Style: Marlene Dietrich in ‘Angel’" at Classiq on January 22, 2013, which directly quoted text from "A Million Grains of Golden Caviar," published here by missladiva almost two years before--on January 31, 2011. Let's review the facts.
Ada wrote (as you can see in the above screen capture that I present as evidence):
"A Million Grains of Golden Caviar": that’s what Diana Vreeland called this beaded gown when she exhibited it at the Metropolitan Museum in 1974 as part of the Costume Institute’s ”Romantic and Glamorous Hollywood Design” retrospective. The dress, adorned with red and green cabochons, was reportedly inspired by the mastery of Fabergé,Compare this to missladiva's words:
A Million Grains of Golden Caviar [title] That's what Diana Vreeland called this breathtaking, beaded gown when she exhibited it at the Metropolitan Museum in 1974 as part their Costume Institute's "Romantic and Glamorous Hollywood Design" retrospective. The dress, designed by Travis Banton for Marlene to wear in Angel, was reportedly inspired by the mastery of Fabergé.Missladiva pointed out the plagiarism to me, and I commented on it at Ada's blog, Classiq. Of course, you don't see my comment because Ada hasn't approved it. Instead, Ada from Classiq visited us to comment, which is quite easy because we censor no one (except blatant spammers). She overlooked the text that she had taken for her article as she scrolled down to our comments section and stated, "If you happened to read some other of my Style in film posts, you might have noticed that I always credit my sources, unlike the majority of the sites and blogs writing about similar subjects." Well, she obviously doesn't cite all her sources because she didn't cite us! Tell me, do you see missladiva or Last Goddess Blog in Ada's references?
Do you know what else I found? There's text in her article that also appears on the Vogue Italy website. Take a look at the above screen capture and note this sentence: "She would only pose for photographer Rudolph Maté, who contributed to create her sharp yet full of refined sensuality look; every photograph had to be of immaculate taste." Compare it to page 2 of this Vogue Italy article: "The German diva started right away to act in films relized by her trustworthy director, von Sternberg, and would only pose for photographer Rudolph Maté, who contributed to create her sharp image yet full of refined sensuality." Unfortunately, the Vogue Italy article lacks a date, but it's clear that someone here was plagiarizing! Oh, and by the way, that Maté information is inaccurate.
