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Showing posts with label charlotte chandler. Show all posts
Showing posts with label charlotte chandler. Show all posts

03 May 2012

Why Is Maria Riva Still A Punching Bag?

I haven't heard of Richard "Bugs" Burnett, a columnist at Montreal Gazette's blogs whose bio touts him as a maple-flavored Michael Musto. I don't know of John Banks either, one of Dietrich's boys during the '60s and '70s--figuratively and literally, apparently beginning his service to Dietrich at the tender age of 15. Burnett, however, gave me a thorough introduction to Banks in an article just published called "How one night in Montreal changed the life of Marlene Dietrich." Clearly, the presumptuous title should have been "How one night in Montreal changed the life of John Banks," but Dietrich's name naturally has more SEO clout.

Misleading title aside, Burnett extracts a lot of details from Banks, including a beautiful photo of Dietrich and Banks together, who remind me of Catherine Deneuve and Pierre Clementi in Belle de jour. More intriguing are Burnett's choice of authoritative biographers, Charlotte Chandler and David Bret. I've covered Chandler a bit after having read her Dietrich bio and still have yet to read Bret's, who has at least made his presence known, but I'm well aware that both biographers are of ill-repute if you take Marlene Dietrich Collection Berlin's newsletters as gospel (Bret here; Chandler here). Of course, those who read enough of my shtick must know that I enjoy the apocrypha as much as the torah and welcome all. In fact, I still have hopes of writing about Dean Goodman and Erik Hanut's books, which I read many months ago.

Back to Burnett, while I find his favored biographers a surprising choice, his silence on Maria Riva's book--the Song of Songs as far as Dietrich tomes are concerned--strikes me as strange. Instead of citing Maria's book, Burnett quotes Banks' recollection of Maria enabling Dietrich's alcoholism. Maria admitted to being Dietrich's handmaiden but never her Hebe! Sometimes, I wonder whether some Dietrich fans still have it out for Maria. Burnett expresses his fandom throughout his article--especially the introduction--and in an earlier article he wrote that mentioned Banks. I've been meaning to post a lengthy look at all the times Dietrich fanboy Steven Bach poked fun of Maria's weight in his book, and I have been keeping my eye on the vitriol that some (or one?) DataLounge poster(s) spew(s) Maria's way, too. Do any of you still have these kinds of feelings about Maria? Feel free to air them out here!

I'll just request that if any of you know more about John Banks, please educate us in the comments section in between your rants. So far, I've learned that he was a bartender at Le Mystique, the oldest gay bar in Montreal until it closed in 2009. As least its Angelfire site remains, which may very well be the last Angelfire site standing. Seriously, I hope someone salvaged its NOSTALGAY exhibit. Establishments like Le Mystique remind me of the Hollywood gay dive that I never had a chance to visit--Spotlight, which looked like Skid Row on poppers from the street but must have been brimming with history within its doors.

25 May 2011

Joshua Sinclair, the knight in shining Charmin


Joshua Sinclair, the Just a Gigolo writer who told Charlotte Chandler the toilet paper typewriter (T.P.writer?) tale in her biography, Marlene: Marlene Dietrich, A Personal Biography, has apparently lavished Chandler with praise on Amazon.com. Well, his story is the best part of that book, which I mentioned in my reluctant spiel.

27 April 2011

Marlene Dietrich Biography Ghostwriters?

I have never read this morsel before! Simon & Schuster didn't publish Maria Riva's book because it was so "over-the-top," which is why Knopf picked it up? Also, Maria had ghostwriters?

In a strange twist, I also came across an interview that the Brothers Judd conducted with Burt Boyar, whom they stated had co-authored Sammy Davis Jr.'s autobiography, Yes I Can, with wife Jane Boyar (R.I.P.). During the Brothers Judd interview, Boyar revealed that he had worked with Maria Riva on her Marlene Dietrich biography. Coincidentally, an untitled Marlene Dietrich biography was registered with the U.S. Copyright Office under Boyar Investment, Ltd. in 1980 (see record below). That's not all. The untitled biography was also registered under Simon & Schuster, the publisher for whom Maria Riva was writing her biography, according to the aforementioned May 25 1992 New York Magazine gossip. To complicate this mystery even further, let me observe that Simon & Schuster published the recent Dietrich biography by Charlotte Chandler.


This string of information leads me to ask a string of questions:

Did Maria Riva really work with ghostwriters while she was writing her famous Dietrich bio? If so, were the Boyars her ghostwriters? Did Maria Riva leave Simon & Schuster because she did not want to use the Boyars' biographical material? Did Maria Riva use any of the Boyars' biographical material after she joined Alfred A. Knopf? Did Charlotte Chandler use any of the Boyars' material for her Simon & Schuster biography? If either Riva or Chandler accessed the Boyars' work, to what extent did they use it? I know none of these answers, but I do know that Maria Riva, Charlotte Chandler, and Burt Boyar could offer insight on the matter.

16 April 2011

Marlene Dietrich, According to Charlotte Chandler

I could approach Charlotte Chandler's work, Marlene: Marlene Dietrich, A Personal Biography, from several perspectives. Obviously, I could compare it to the existing body of work devoted to Dietrich and determine whether it tells us anything new or—at least—in a new way. Why bother? No one will ever trump Maria Riva's insider anecdotes and side-splitting dialogues. Aside from that, reviews are like celebrity biographies, and how could I attempt to critique Chandler's work as a reiteration of others' biographies when—as I write this text—I realize that much of what I'm typing has probably been noted by Joseph McBride in San Francisco Chronicle. In case you are wondering, Chandler does discuss the usual subjects and suspects: Dietrich's breasts ravaged by baby Maria's hungry infant mouth, Dietrich's affairs with a few Kennedy clansmen, Dietrich's show that broke Israel's ban on German-language performances, Dietrich opposition of Nazis that included her plot to assassinate Hitler, Dietrich's other plot to prevent King Edward VIII from abdicating by wrecking his relationships with Wallis Simpson, Dietrich's directorial expertise with the help of a full-length mirror, Dietrich's skill on the violin and the musical saw, Dietrich's seclusion in her Paris apartment where she made constant phone calls yet answered her phone as her maid, and so on.

07 April 2011

Charlotte Chandler Talks Marlene


Over at Kirkus Reviews, Gerald Bartell talks with Charlotte Chandler about her new Marlene Dietrich biography, while the San Francisco Chronicle reviewed her book here. Michael Musto says he has the dirty details of Marlene's encounter with JFK over at his blog. Stay tuned for Joseph's review of Marlene: A Personal Biograhy, coming soon!